JULIETTE DUMAS

Strategies of Resistance 07

2016

plastic tarp, nails, rocks

dimensions to be announced after installation 

this is a work made "in situ"

 

 

 

 

In her series entitled “Strategies of Resistance,” natural materials, such as stone and water, are held in a state of suspension by plastic sheets. The equilibrium and the tension of the work rely on the balance between the number of nails used and the weight of the stones, mirroring a political movement of resistance.  

 
 

 

Juliete Dumas, Strategies of Resistence & Whale Bone (No Safe Harbor),  installation view at ART 3

Juliete Dumas, Whale Bone (No Safe Harbor),  installation view at ART 3

Juliete Dumas, Whale Bone & Erased Painting 2 (No Safe Harbor),  installation view at ART 3

 

Juliete Dumas, Erased Painting 2 (No Safe Harbor),  installation view at ART 3

 

 

JULIETTE DUMAS

Erased Painting 2, 2013

acrylic and rope on canvas, 70 x 70 in.

 

In the "Erased Paintings" series, Dumas sands down her own paintings and cleans them with soap, water or throws them into the ocean in an effort to get rid of human self-centeredness. 

 

 

 

Juliete Dumas, Erased Painting 2 & Frozen Plates (Collaboration with the Cold), (No Safe Harbor),  installation view at ART 3

 

With “Frozen Plates: Collaboration with the Cold”, Dumas pours emulsion on metal plates which she then leaves outside when temperatures drop below freezing.  In time, the plates reveal drawings created by the frost. The end results are black and white silver gelatin prints that capture those ephemeral creations. 

 

 

JULIETTE DUMAS

Mountain Plate (Frozen Plates, Collaboration with the Cold)

2015

silver gelatin print mounted on wood

19 x 19 in,

 

 

With “Frozen Plates: Collaboration with the Cold”, Dumas pours emulsion on metal plates which she then leaves outside when temperatures drop below freezing.  In time, the plates reveal drawings created by the frost. The end results are black and white silver gelatin prints that capture those ephemeral creations. 

 

JULIETTE DUMAS

Lotus Plate (Frozen Plates, Collaboration with the Cold)

2015

silver gelatin print mounted on wood

19 x 19 in,

 

 

 

JULIETTE DUMAS

Erased Painting 3

2016

Acrylic on canvas

21.75 x 22.5 in.

 

 

 

 

 

Juliete Dumas, Horizon LIne (Spill), (No Safe Harbor),  installation view at ART 3

 

JULIETTE DUMAS

Horizon Line (Spill)

2016

plastic tarp,water, crude oil, nails

dimensions to be announced after installation 

this is a work made "in situ"

 

 

 

 

In the "Erased Paintings" series, Dumas sands down her own paintings and cleans them with soap, water or throws them into the ocean in an effort to get rid of human self-centeredness. 

 

 

 

JULIETTE DUMAS

Large Erased Painting

2013

Acrylic on canvas

72 x 105 in.

 

 

JULIETTE DUMAS NO SAFE HARBOR

Gallery 2: TARA KOPP MODEL LIVES

Opening Thursday September 15, 6- 9 PM

SEPTEMBER 7 - OCTOBER 2, 2016

 

 

PRESS RELEASE

Press

BLOUIN ARTINFO
BLOUIN ARTINFO Datebook: Juliette Dumas’ ‘No Safe Harbor’ at ART 3, New York
7 September - 2 October 2016
MANAPARE.US JULIETTE DUMAS at ART 3
VAIHINGEN & MöHRINGEN Wasser und Folie in verschiedenen Zuständen by Sabine Schwiedern